Polar Bear Seagull Twisterella Unfamiliar Cool Your Boots Black Nite Crash OX4 Dreams Burn Down Time of Her Time Chrome Waves Paralysed Taste Vapour Trail Drive Blind Tomorrow Never Knows (The Beatles) Leave Them All Behind
Fifty issue of Mark Taylor’s fanzine – now sold out Visit the Ride the Network site and buy other issues of the fanzine here Follow Ride – The Network on twitter Image courtesy Katie Taylor
Focus Records CD Promo - FOCUSPCD12 That Man (Small Faces) (Rough Mix) Sleeve Notes: Thank you for purchasing "Small Faces - The Young Mods' Forgotten Story". We hope you have enjoyed the book and hope you feel as we do that it does justice to one of the most underrated bands of all time. This CD gives you your first chance to hear tracks from a tribute album of current artists recording Small Faces songs due for release in January. As we write artists already confirmed include P.P. Arnold, Dodgy, Gene, Kenney Jones, Primal Scream and Supergrass. With many more waiting in the wings. Watch press for further details CD promo distributed free with initial copies of Paolo Hewitt's 'Small Faces - The Young Mods' Forgotten Story' book. Ride's track is a rough mix of the version that eventually appeared on the Long Ago And Worlds Apart album
NME - NME CRE 10 I Don't Want To Be A Soldier (Jonn Lennon) (Live at Reading Festival 29/8/92) Free NME cassette Later released on download version of Live_Reading Festival 1992
Creation Records 12" single - CRE075 CD single - CRESCD075 Like A Daydream Silver Furthest Sense Perfect Time made in england distributed by the cartel recorded at blackwing studios, london by ken like a daydream remixed at matrix studios by alan moulder daffodils by lou The run-out groove on side A of the 12" has the words 'Daffodils to Diana' etched into it. Side B has 'Steve for Emma' No major variations Test pressings of this EP are scarce, since sound quality was poor. As a result, finished copies were sent to press, some of which included press releases (below)
Leave Them All Behind Like A Daydream Unfamiliar Here And Now Dreams Burn Down Going Blank Again Vapour Trail Perfect Time Chrome Waves Taste Chelsea Girl Nowhere Seagull Beneath Drive Blind Decay Supported by Hummingbirds
Leave Them All Behind Like A Daydream Polar Bear Seagull Sennen Cool Your Boots Black Nite Crash OX4 Dreams Burn Down Time Of Her Time Chrome Waves Taste Vapour Trail Drive Blind Mouse Trap Chelsea Girl
In A Different Place Blind Drive (unreleased demo) Seagull (instrumental) (unreleased demo) EMI Publishing Studios, Charing Cross Road, London (?) Demo session. 'Blind Drive' is a backwards version of 'Drive Blind', and may be mistitled. This version of 'In A Different Place' can be found on 'Firing Blanks_Unreleased Ride Recordings 1988-95'.
Tongue Tied Lannoy Point Howard Hughes Twisterella Pulsar Shadows Beyond The Sun From Time To Time Weather Diaries Sennen Lateral Alice Chrome Waves Paralysed Drive Blind Taste In A Different Place The One I Love (REM cover) Vapour Trail Leave Them All Behind
First new song released since 1996. Press statement states: ""Charm Assault" is taken from Ride's forthcoming album, due to be released Summer 2017 on Wichita Recordings. The album was produced by Erol Alkan and mixed by the band's longtime collaborator, Alan Moulder. Andy Bell says “Charm Assault is a pretty straightforward expression of frustration and disgust at the people who currently run our country. The tour in 2015 was a good way of reminding us what we were good at in the first place and Charm Assault feels like a natural continuation from our peak. When we started writing together again we tried to imagine we'd kept on making music all this time, and this was just the latest one.” An alternative sleeve (see below) was added to download sites on 18th May 2017.
On December 30th 1990, John Peel presented his Festive Fifty for the year featuring 3 tracks by Ride. The Fall - Bill Is Dead My Bloody Valentine - Soon Ride - Dreams Burn Down Ride - Like A Daydream Sonic Youth - Tunic (Song For Karen) Paris Angels - All On You (Perfume) The Wedding Present - Make Me Smile (Come Up & See Me) Happy Mondays - Step On The Wedding Present - Corduroy The Orb - Loving You (Session) Teenage Fanclub - Everything Flows Would Be's - I'm Hardly Ever Wrong The Lemonheads - Different Drum New Fast Automatic Daffodils - Big The Fall - White Lightning Morrissey - November Spawned A Monster The Charlatans - The Only One I Know Wedding Present - Don't Talk, Just Kiss Nick Cave & The Bad Seeds - The Ship Song Wedding Present - Heather (Session) Boo Radleys - Kaleidoscope Wedding Present - Crawl Nirvana - Sliver Pixies - The Happening Ride - Taste Ned's Atomic Dustbin - Kill Your Television Lush - Sweetness & Light The Charlatans - Polar Bear Dinosaur Jr - The Wagon The Fall - Blood Outta Stone The Pixies - Velouria Happy Mondays - Kinky Afro The Fatima Mansions - Blues For Ceaucescu The Shamen - Pro-Gen The Fall - Telephone Thing The Sundays - Here's Where The Story Ends Spiritualized - Any Way That You Want Me Babes In Toyland - House The Wedding Present - Dalliance Sonic Youth - Kool Thing The Fall - Chicago, Now! The Orb - Little Fluffy Clouds Teenage Fanclub - God Knows It's True Deee-Lite - Groove Is In The Heart Bastro - Nothing Special The Farm - Stepping Stone The Farm - Groovy Train The Pixies - Alison The Pixies - Dig For Fire Inspiral Carpets - Beast Inside
Leave Them All BehindLike A DaydreamDreams Burn DownVapour TrailPerfect TimeChrome WavesTime Of Her TimeNowhereTasteSeagullDrive Blind with Cud, Milltown Brothers, Boo Radleys & Pixies Melody Maker review
Leave Them All Behind Blackbarn Studios, Ripley (Matt Oliver) Some backing tracks for final version
Leave Them All Behind Taste Not Fazed OX4 Like A Daydream Chrome Waves Twisterella Perfect Time Making Judy Smile Nowhere Vapour Trail Mouse Trap Dreams Burn Down Time Of Her Time Support from Pale Saints
Leave Them All Behind Like a Daydream Unfamiliar Time Machine Chrome Waves Twisterella OX4 Time Of Her Time Today Mouse Trap Seagull Kaleidoscope In a Different Place Polar Bear Dreams Burn Down Decay Paralysed Vapour Trail Taste Here and Now Nowhere Drive Blind Chelsea Girl Above images kindly donated by Dean 'Shoegaze' Bromley.
Let's Get Lost 1000 Miles Like A Daydream You Give Me Sunshine Since Then Water On Water Twisterella From Time To Time Natural Grace At The End Of The Universe I Don't Know Where It Comes From Taste Birdman How Does It Feel To Feel? Drive Blind Chelsea Girl Support from Brainpool
Leave Them All Behind Taste Not Fazed Cool Your Boots Like A Daydream OX4 Perfect Time Twisterella Drive Blind Making Judy Smile Nowhere Vapour Trail Chrome Waves Mouse Trap Dreams Burn Down Time Of Her Time Support from Verve
Leave Them All Behind Taste Not Fazed Unfamiliar Like A Daydream OX4 Perfect Time Twisterella Drive Blind Making Judy Smile Nowhere Vapour Trail Chrome Waves Mouse Trap Seagull Time Of Her Time Support from Verve
Moonlight Medicine Seagull How Does It Feel To Feel? Like A Daydream Walk On Water Magical Spring From Time To Time Birdman That Man I Don't Know Where It Comes From Twisterella Drive Blind Let's Get Lost Close My Eyes Leave Them All Behind Chelsea Girl
Lannoy Point Charm Assault Seagull Weather Diaries Taste Unfamiliar Cali Twisterella Lateral Alice Rocket Silver Symphony Dreams Burn Down Time of Her Time OX4 All I Want Vapour Trail Drive Blind Leave Them All Behind Like A Daydream Chelsea Girl
Charm Assault Seagull Lannoy Point Weather Diaries All I Want Cali Taste Vapour Trail Free wristband given to anyone who bought Weather Diaries at Rough Trade. 6.30pm Doors // 7.00pm On-stage // 7.45pm Signing // 9.00pm close. Band had false start on stage as Lannoy Point was originally due to be opening track. Dizzee Rascal was doing a photo shoot that evening outside the store. Rough Trade also had additional history of the album on their website: Despite the fact Ride were the band on Creation records at the start of the ‘90s, despite the fact Ride were integral to what was coined 'shoegaze' the first time around, and despite the fact Ride haven't made a full-length record in over 21 years, the Oxford quartet who formed in 1988 sound as urgent and essential to the fabric of alternative indie as they ever did. Ride was formed by school friends Andy Bell and Mark Gardener, together with drummer Loz Colbert and bassist Steve Queralt. Like your first true love, there's something about Ride that's kept the four of them returning to the safe haven of their initial home, despite the various directions their lives have taken since. As Loz says, “There's an honesty when we're around each other that's hard to deny.” Following Ride's initial dissipation, Mark collaborated and worked with many artists and flexed his own solo career muscles, and Andy continued as a serial band member, first of Hurricane #1, then Oasis and Beady Eye. Loz played with Jesus & Mary Chain, Supergrass and Gaz Coombes. Steve, on the other hand retreated to civilian life. “I am living a dream life again at the moment,” he says. “I love every second of what I'm doing now. It's the sort of thing school boys dream of and I still get to do it now.” For Loz it's also about rewriting history in a sense: “It felt like our journey was cut a bit too early. We were too young to realise what we had. There was so much potential there with what we could do, we were only just starting to learn.” It was their 20th anniversary reunion tour that made the quartet ponder deeply about a return to the studio, but it didn't take much calculation. The tunes just started pouring out of them. As soon as the four made the announcement that they were getting the band back together to play a series of shows in 2015, they decided to check into a studio – to rehearse, of course. The songs on this year's 'Weather Diaries' – their fifth record – date back in part to musical ideas forming as far back as then. According to Mark, they didn't do as much rehearsing as they initially anticipated. “As soon as we'd spend time together in a room, relearning the old songs, we'd find ourselves jamming, playing new things. We're still music enthusiasts, just vibing. We went a bit off course. In a good way, ha!”. It was the shows that then fuelled their creative fire further, re-energising them and planting the seed in their heads that Ride could have a second life, one that would feature a bigger catalogue filled with the magical soundscapes, trembling distortion and melodic haze that generated so much fuss around them in the early '90s. “The tour made us realise there was a future,” says Andy, recalling how they'd be eagerly jot down new ideas on their phones to put to use at a later date. Ride came to the realisation that their sound had never gone away. Touring the States with East Coast shoegazers Diiv proved there was an audience for them beyond mere nostalgia. More than that though, the British music sphere especially has been littered with bands heavily indebted to Ride and their peers (Jesus & Mary Chain, Slowdive, My Bloody Valentine, etc). The likes of The Horrors, School Of Seven Bells and labels such as Sonic Cathedral have ensured that shoegaze is a sound that's eternally relevant. “To think that years after we split people were mentioning us as an influence to new bands made me feel immensely proud,” says Steve. “It was totally unexpected given the way we'd exited the music business. We thought nobody would ever want to hear Ride again.” “Shoegaze is a state of mind,” adds Andy. “After the early ‘90s, the genre seemed to be finished, in its original home of the UK, but the sound kept seeding all over the world, it was no longer location specific. In that way it is like Hip-Hop, it no longer lives or dies by connection to a certain time or place. It keeps growing”. In the UK, the early '90s shoegaze bands gave way to Britpop, which then completely overshadowed it. But in America it kept developing underground. “It felt like there was a lot of unfinished business,” says Mark, who was watching bands come and go, always proud of the edge that his own band once had. “I thought, I'd love to show that again. Not necessarily to prove anything.” The concept of another record was about personal fulfilment for them, about rising to the challenge they set themselves. “If you're gonna come back that's OK but you've gotta be really good,” says Mark. “So how do you make it better? How do you be a more consistent band?” Once touring had taken up the whole of 2015, the four concentrated their entire 2016 on solidifying ideas and recording. All four members have contributed to the writing of ‘Weather Diaries’. Fragments of studio and soundcheck jams provided initial ideas. Steve Queralt brought in two backing tracks which became essential to the album, for ‘Lannoy Point’ and the title track. Loz Colbert brought in a fully formed song, ‘Rocket Silver Symphony’, which he also sings lead vocals on. Andy Bell took his traditional central writing role in the band, with Mark Gardener providing melodic vocal ideas to several of the tunes as well as coming up with the melody and lyric for Steve’s ‘Lannoy Point’ and also ‘White Sands’, the album’s closing track. For Steve who hadn't played music for 20 years, it was the biggest relief to be back in the studio having built that confidence back up on the road. “When we first agreed to play five dates, I was hugely excited but that was followed up by a crushing anxiety,” he says. After all four of them had worked on material separately, they met up in July 2016 to rehearse what they'd conjured. “It did bring us back!” says Andy, commenting that it felt like the old days all over again, reminding him of when they'd rehearse at the Mill Art Centre in Banbury. “There's a strong chemistry that's always there,” adds Mark. Once key decisions were made, Andy and Mark spent time together as a duo, structuring the songs, laying down vocals back in Oxford, whereas Steve and Loz hunkered down to work on rhythm and arrangements. The next step was to figure out producers. Surprisingly perhaps they brought dance maestro Erol Alkan and (perhaps less surprising) rock legend Alan Moulder on board. Erol was someone Andy knew socially. Mark found the suggestion most odd at first, being initially aware of Erol's work as a DJ and remixer. He learned of Erol’s history producing straight-up rock outfits such as Mystery Jets and Late Of The Pier and his studio skills. But it was his further electronic work that eventually inspired the kindred connection. “I scratched a bit deeper and listened to ‘Bugged In’ and ‘Bugged Out’, which led me onto buying the 'The Soft Bounce’ album.” That latter psychedelic-leaning record from ‘Beyond The Wizards Sleeve’- Erol's side project incorporating a variety of production styles; slowing down tapes, hypnotic rhythms and washes of lush guitars incorporating a distinct shoegaze atmosphere. Suddenly everything clicked for Ride. The work with Erol was especially short and productive, but all the better for a very concentrated period of writing ahead of it. “I thought more about these songs and spent more time than any other record I've been involved in,” says Mark. “But it was interesting to let go and see what someone like Erol could bring to it. The devil's in the detail. Erol made the record more open.” Erol, a long-standing fan of Ride, remembers seeing their reunion show at the Roundhouse in London. “They sounded better than I'd ever remembered,” he says. “Powerful, melodic, all the things I love about guitar music – its intricacies, its simplicity. They're truly timeless.” Slightly cautious of doing a record with them, he requested demos. “I wanted to do this for the right reasons, to do this the same way I would if it was a debut for a brand new band,” he says. Fortunately he was hit by a cavalcade of tunes demonstrating that same knack for brilliant songwriting, arrangement and rhythmic tricks that he fell for as teenager. Soon he was locking himself away in a big house for 17 days over the course of a few weeks in Pershore, near Worcester. Together they worked in a residential studio with zero distractions. “The tracks are among the best things they've recorded,” says Erol. From the huge sonic storm at the end of 'Weather Diaries' to the addictive verses of 'Cali', the material is as Ride as ever, yet written from the vantage point of men who have experienced life's trials and tribulations. Lead single 'Charm Assault' captures you with its catchy riffs and pressing lyrics – an expression of disgust at the current state of affairs in the UK, written as a response to Brexit. “I just write lyrics that naturally occur to me,” says Andy, offering that he's not going out of his way to be overtly political. That said, there's an anger at society that comes out in the sprawling opening track 'Lannoy Point' and in 'All I Want', the latter exploring the idea of Britain aping 1930s Germany over cascading drums and multi-layered vocals. Perhaps the one song they wouldn't have been able to write 21 years ago is 'Impermanence', which deals with death and bereavement. The lyric is Andy's, written about a friend who died from a brain tumour last year. “There's something permanent about impermanence,” he explains. “Something constant about the fact that we are ephemeral, that it's a law of nature that everything does go away. When you're trying to get over losing a friend you have to remind yourself that it's just a change into a different form. You have to look at the bigger picture.” Mark related to it as someone who's suffered the loss of both parents in the last few years. “It made it extra cathartic for me as well,” he offers. For Mark, Andy, Loz and Steve, Ride has always been the place where they make their most introspective work. “It's part therapy in a way,” says Mark. “That escape from the realities you don't wanna face.” Being fathers with responsibilities also changes the sense of purpose. “It makes you more aware of the future, of politics – you're not just seeing it for yourself any more,” says Mark. “Becoming a dad re-wired my brain more than anything. It really focuses your mind and you get better at what you do.” Maturing aside, what of those notorious tensions between Andy and Mark, the fraught creative relationship that resulted in them drawing third album ‘Carnival Of Light’ (1994) down the middle and assigning each other half of the songs such was their lack of ability to collaborate? “There's always a healthy tension between creative people that keeps us all on top of our game,” says Mark. “Demons from back then were laid to rest once the whole thing crashed. In a matter of months we were all talking again.” He reasons that it was all a result of “living in each other's pockets” for far too long. “At certain times you just need to experience life outside those pockets. It was a mad experience we all went through.” Revived and rejuvenated, the foursome are railing to play the new songs live and reach the heights of what they do best – recreating those swirling hedonistic palettes of sound before an audience of old and new fans. “Our relationship feels stronger than it ever because of everything that's gone on before,” says Mark. “We've all grown up. We're much better at saying when things aren't right. For me, having lost family, the band is a family that I still have, a family I've had from school days till now. I don't see that changing whether we're doing music or not.” Elated with the results of their labour, Ride aren't piling unnecessary expectant pressure on themselves. For Loz “it feels like a debut in some ways.” 'Weather Diaries' has taken them to new future avenues via a heady trip down memory lane. They're not getting off this train any time soon.
Imaginary Records Vinyl LP – ILLUSION 023 CD – ILLCD 023 Eight Miles High (The Byrds) Compilation of covers of songs from 1966 by various contemporary bands including Levellers and Family Cat
Seagull Like A Daydream Silver Chelsea Girl Drive Blind Perfect Time Close My Eyes Furthest Sense Dreams Burn Down Smile Ride Mind Fuck Supported by Carter USM & Bell Jar cassette image courtesy Paul Scarrott